Musical path in 15 stations (2013)
Oratorio by Kaija Saariaho on a text by Amin Maalouf (2006)
World-premiere of the composer’s
new chamber version (2013)
Stage direction Aleksi Barrière
Musical direction Clément Mao-Takacs
Scenography and stage management Pauline Squelbut
Lighting Étienne Exbrayat
Costumes Liisa Nieminen
Solo soprano Sayuri Araida
Vocal ensemble Sandra Darcel, Marianne Seleskovitch, Johan Viau, Florent Baffi / Romain Dayez
Actress Isabelle Seleskovitch
Instrumental ensemble Secession Orchestra (19 musicians)
Premiere on November 14th, 2013 in Bratislava in the framework of the Melos-Ethos Festival.
A co-production by La Chambre aux échos, Music Centre Slovakia and Festival de Saint-Denis, with the support of Adami and Spedidam.
The work of a great novelist and one of the most talented living composers in the fields of orchestral and vocal music, La Passion de Simone was not written as a stage piece. Nevertheless, it contains all the ingredients for an imaginary and collective theatre form: a woman, about whom nothing is known except that she is our contemporary, meditates on the life of Simone Weil (1909-1943) and asks herself what can be learned from the ‘luminous trajectory’ of this philosopher and activist who uncompromisingly attempted to experience the oppression and the violence her fellow humans were subjected to, in order to better understand and fight it. This monologue is haunted by the thinking voice of Simone Weil herself, both absent and present in the form of an actress, by a vocal ensemble of four who are ‘the others’ in the broadest sense, past and present victims and witnesses to human oppression, and by a chamber orchestra that accompanies these tableaux and meditations like an inner landscape. All these performers are gathered in one same pared-down space, not to illustrate a biography, but to ‘walk again, mentally, the path of an agony’. We are not invited to be spectators of a drama, but to participate in an agnostic prayer about our collective memory and values, as crystallized by an exceptional individual’s craving for the absolute. Music is, ultimately, the purest form of theatre.
– May 17th, 2014 at the KODY Festival in Lublin (Poland).
– May 27th, 2014 at the Festival de Saint-Denis (France)
– November 14th, 2014 at the Comédie de Clermont / Centre Lyrique Clermont-Auvergne (France).
– January 28th, 2016 at the Biennale NJORD in Copenhagen (Denmark)
in collaboration with Avanti! Chamber Orchestra.
– November 19th, 2016 at the Gerald W. Lynch Theater in New York City
in collaboration with ICE Ensemble and Mannes School of Music.
– May 31st, 2017 at 8 pm
at the Bergen International Festival
in collaboration with BIT20 Ensemble.